I find your work intriguing, full of the brim of
material, subject matter, and finding in
photographic image. The material,
as a photograph
creating the right format and indeed print on
material is a wonder to the viewer as clean, clear
cut (not always) and
consequential to make a reaction.
The reaction is bareable as the numerous viewers
sift past in blissful ignorance sometimes of the
process, the procedure
and indeed the notional effects that
make your work stop at this point.
The notion of the white space across to the print of
trees and homelessness that we encounter so to
identify with the
English trees. We hope, as our standard
of heritage, that the level of recognition brings
rhetoric to the viewer. Perhaps the whiteness, a
blank to some, subdues
and edifies the subject to a compositional
device, a marker of the landscape of mind, the wind
in the trees, the drizzle of rain etc. that we carry
with such
memories.
I suggest you look closely at Heather powers, who
too, tries to link the environment to a medical
experiment of method
that is our minds shape and climatic shifts to our
countryside. I have written a review on Target-
art.co.uk to that effect
under Art Reviews of Reputable artists. Please
would you consider a read, as I hope
it will ring true to your senses to your work. There
are differences in your work, as style and
forethought do change
matters. But I think it is of help.
