I thought I would try to digest the essence of your
fiery cold or hot cloudwarming skies. Your work
stretching the subject matter of London, Italy,
Notredam, people scapes and
the melancholy of Cloud scenes.
What seems to tie in the work is the negative in
Notredam, and the sublime time holding qualities
of steam, the cloud, the atmospherics that
surround the architectural subject
matter of a lot of your work. The Breakthrough of
science in the late 20th Century has rushed the
evolving ideas of technology and its effect on
society. Us artists everlooking to
adapt our role as an artist have even left before
making art by our own hand (See Damien Hurst,
Tracy Emin etc.) However the corner of the artwork
though stretched is lacking a
centre, harking back to the great original artists.
Where tradition, craft skills and continued research
into the past art is now baulked at sometimes, You
have moulded Monet
and Whistler, the effect of the mist, in both
photography and mind. We are helped in a pride of
place by the artwork atmospheric, the colour
schemes formulating the presence
of an object. The machination of society outed by
the diverse perspective of bridges, and the
flagships of architecture (in London for example) .
